What to photograph (other than your children)

So many children, including my own, get tired of participating in pictures.  I always want to practice on my own kids, but I know they get tired of having a camera in their face.  I’ll admit this has been a struggle for me.  My kids are great sports!  Not to mention they will not object to a chocolate bribe now and then! But lately I have been wondering what I can photograph besides portraits.  I love portraiture. It is so fun, but sometimes I just want some creative alone time.  So, here are some ideas that I go to for pictures other than children.

Flowers:

Setting up a still life is an excellent idea.  Perhaps just walking around your yard will give you some inspiration.  I love flowers, and I have a decent flower garden in my own back yard.  So sometimes, I just like to walk around there and see if I can find bugs or butterflies, or interesting flowers.  Then I try to compose a shot in the best way I can imagine.  Sometimes still life is so much easier than a fast-moving child.  It is also a great way to learn how to free lens!  

Cars:

I have an automotive background, so I love to photograph cars! I know, it’s kind of a weird background for an artsy girl.  But combining my love of cars and art is so fun for me. Once again, it is so much easier than trying to get a genuine reaction from a child! There are so many possibilities with cars from light painting to panning! Cars are a great way to experiment.  If you have a fisheye lens this might be a good time to use it!

Landscapes:

Landscapes aren’t something that I am used to doing.  Maybe that’s because I’m in Indiana and it’s pretty flat around here! Ha! However, I think that no matter where you live you can make a beautiful landscape picture.  Sometimes it’s just a matter of beautiful light! I find what helps me with landscapes are layering and making sure that you have a subject.  Whether it’s beautiful light through a tree, or a mountain or a barn. 

Details:

Sometimes it’s best to just give your children something to do or play and then capture all those little details.  Think of your composition and light. Hands and feet tell part of the story! Dirty bare feet, hands full of frogs or mud.  There are many possibilities!

Hope you enjoy these ideas! Thanks for reading!

How to Add Fireflies to A Photo

Fireflies, lightning bugs, bioluminescent creatures of the night, (whatever you call them): they are fascinating creatures to catch and watch. Not to mention it is a staple of childhood! I remember staying up late and catching them as a child, and I love to watch my kids as they chase them all over the yard.  We used a pickle jar, and punched holes in the top of the lid.  It is easiest to catch them when they land on the ground!  They are hard to see, which is also part of the fun of catching them.  If you live in the Midwest, this is a MUST!  

However, in pictures they just don’t show up so well.  Not to mention it is not that easy to snap a shot when they are all lighting up.  In order to make that picture as magical as it is for your child you will need an overlay! That is how I have created these pictures. I used an overlay in photoshop and set the layer to SCREEN.

Then I hit ctrl/j to duplicate the layer as much as I want.  I use the shortcut ctrl/t to transform and adjust the size. Then I place them in varying areas and sizes to add depth and atmosphere. The closer they are to your camera the bigger and blurrier you will need to make them.  I have created my own shortcut in photoshop to add a Gaussian blur.  But you can get there by going to filter>blur> Gaussian blur, and then blur to your taste.  I also lowered the opacity on some to make them blend better.

Remember the rule of odds if you place them close together or in the jar. To read more about the rule of odds, go here. This adds visual interest and helps to move your eyes throughout the picture. 

I have made this overlay available for download for free! I added some noise to the overlay, because chances are if you are out catching lightning bugs it is going to be very low light. I had to increase my ISO to a very high number in order to capture anything and keep my shutter speed reasonable. Make sure to set the overlay to SCREEN. I hope you enjoy it! Please let me know if you do! Please share your pictures with me!  I would love to see what everyone comes up with!

Download the Firefly overlay here.

Thanks for reading!

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How To Do a Simple Composite

Here is my photograph that I am going to use to be the center of my composition.

I start out by using the quick selection tool to select the cabin and some of the ground. I then copy and paste it to a new document in Photoshop. (I just use a generic size and then extend my canvas with the crop tool).  Next step it is cleaning up the image.  You can use the erase tool, or you use a layer mask to tidy up those edges and get rid of anything extra the quick selection tool may have selected.

I then add more ground by selecting some from other pictures I took from the same shoot. Keep the edges of everything soft by using the blur tool or use a soft brush on a layer mask. Next, I add the sky and use a black and white layer to make everything black and white.  In this picture I used a cloud layer from Jessica Drossin’s Macabre skies and overlays.   However, you can use one of your own if you have one! To make sure the light is coming from the same direction in my clouds as it is in my cabin picture I flip the sky horizontally (which may not be necessary in your image) and then add a gradient fill layer (white to black) to change the light. I changed this to layer to soft light and adjusted the opacity to my liking (28%).

Next, I added a smoke layer for the chimney mostly to add more drama! The smoke layers also come in Jessica Drossin’s Macabre Skies and overlays package. Then I add some more smoke/fog to the bottom using another overlay.  You can also create a fog brush. Phlearn has a very handy tutorial here.

Then I notice the ground in front of the cabin is a little too bright.  So, I simply paint over it with a soft black brush (on a new layer).  I then set it to soft light and adjust the capacity to my liking (54%). Then I add a stamp visible layer (which is all the layers put into one new layer) by using the short cut Ctrl+Alt+shift+E (on a PC).  I then went to Filter + noise + add noise.  I selected Uniform at 1.05% - Then I set that layer to soft light and adjusted the opacity down to 38%. This just brings everything together in a more cohesive way.  

I then darkened part of the entire image and added contrast using dim the lights action (which comes with Jessica Drossin’s Macabre Skies Package).  This is a Gradient Map layer, but you could just add a brightness and contrast layer to do roughly the same thing. After this I just cleaned some of it up using the clone tool, and blurring parts of the image.  (Blurring can trick your eyes into thinking something belongs in the image when it doesn’t.) And then you have my final image here: